Joso Škarica
P 03QUIET LESSON — I–IVA count taken in the back room, from memory.THRESHOLDCOUNTROSA14TULIPA09LILIUM11GERBERA07EUCALYPTUS18DIANTHUS06CHRYSANTHEMUM13FREESIA08HELIANTHUS04DELPHINIUM10THE BACK ROOMinventory held in a single headFIG. 1i INVENTORY IN THE HEADPLATE PORTRAIT

Essay

The Back Room

The shop sold flowers. My father ran it, and before him his hands ran it, and before his hands a notebook he kept in the drawer under the register.

The notebook was the system. He wrote in it when a shipment arrived and when a bouquet went out and when a bucket of roses turned and had to be thrown. The handwriting was his own and no one else could read it quickly. That was part of the system too.

When a customer asked for something he was not sure of, he walked to the back room. The back room held the buckets. The buckets held the flowers that had not yet become arrangements. He counted what was there and came back with an answer. The walk took perhaps thirty seconds. He made it a dozen times a day.

I spent afternoons in the shop as a boy. I swept the floor. I cut the ends of stems at an angle, the way he showed me, so the flowers could drink. I learned which flowers lasted and which did not, and which customers wanted what, and which suppliers sent good stock and which sent stems already tired.

What I did not learn, then, was that the shop was a machine. I thought it was a place. A place with a smell, and cold tile near the cooler, and a bell above the door that rang when someone came in. My father stood at the center of the place and knew things, and the knowing seemed to me a quality of him, like the color of his eyes.

It was not a quality of him. It was work. He held the shop in his head because no one had given him a better place to hold it. The notebook helped a little. His memory did the rest. When he went home at night the shop went with him, and when he came back in the morning he unpacked it again from wherever he had kept it overnight.

I understood this late, and by accident. I was home from university and he was on the phone with a supplier, and the supplier had sent the wrong order, and my father was explaining why it was wrong. He listed what had come, what should have come, what he still had from the week before, and what he would need for a wedding on Saturday. He did all of this without looking at anything. The notebook was on the counter, closed.

I watched him and understood that the shop was not a place. It was a system, and he was the part of the system that remembered. If he forgot, the shop forgot. If he was tired, the shop was tired. If he was sick, the shop closed.

This is how many small businesses work. A woman at a dental clinic knows which patients are overdue. A foreman at a building site knows which deliveries are late. A teacher knows which child has been absent three days in a row. The knowing lives inside a person, and the person carries it home at night, and no one thinks to call this a problem because it has always been the arrangement.

My father did not complain about the arrangement. He had chosen the shop, and the shop had chosen him back, and the walking to the back room was part of what it meant to run it. He would have been suspicious of anyone who called the walking a problem. The walking was the work.

But the walking was also a cost, and the cost was paid in a currency he did not count. Attention. The walk to the back room used a little of his attention, and the notebook used a little, and the remembering used more than either, and at the end of the day there was less of him for the rest of his life.

I think about this now when I build things. Not because I want to rescue my father from a problem he did not have. He is fine. The shop is fine. I think about it because the shape of the shop is the shape of many other places, and the cost is the same cost, and almost no one is counting it.

The back room is still there. The buckets are still there. He still walks to check, sometimes, though less than he used to.

I built him something to hold the shop so he would not have to.

Next: The Button

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